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Robert Singer Art

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Lateral inhibition, which is the capacity of an excited neuron to reduce the activity of its neighbors thus changing one’s perception either in sight, touch, smell or audition plays a significant role in my creative perception and experience. The perpetual search for a conceptual dialogue is a motivating challenge that drives my interests and orients my artistic encounters.

Robert Singer

Embodied Abstraction

Whalebone Studio SH

Southampton, New York


Mixed-media work on wood, canvas, and panel: geometric structure held against oxidized copper, neon, medical imaging, and assemblage. Perception and material change are the conditions of the studio.

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Apophasis, oxidizing copper on panel
Apophasis oxidizing copper on panel, 2026
Limina, painting with neon
Limina painting with neon, 2026
Eidetic, medical imaging collage
Eidetic DSA / CTA collage on aluminum, 2025
Contiguity, neon rendering
Contiguity neon rendering (in production), 2026
l'objet sans nom assemblage
l’objet sans nom assemblage, 2025
Waterstone custom bass
Waterstone custom bass Waterstone Guitar Company

Recent work includes oxidizing-copper paintings such as Apophasis and Lattice & Verdigris; Limina, a painted diptych split by neon; the neon construction Contiguity (in production); MacGuffin assemblages with Waterstone instruments; and Data Art experiments. The conversation runs through Pollock, Judd, Flavin, Chamberlain, and Op Art.

Embodied Abstraction · Whalebone Studio SH · Fall 2026
robertsinger.art

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